Tony Hancock (1924–1968), is widely regarded as one of the most influential figures in British comedy history. Born in Birmingham, England, Hancock initially pursued acting but early struggles to find success encouraged him to turn to comedy. 

Finding fame in the late 1950s with the BBC radio sitcom ‘Hancock’s Half Hour’, his portrayal of the lovably self-absorbed character resonated deeply with audiences and, making the move to television, the programme quickly became a national institution. Hancock’s comedy was notable for its subtle, intelligent wit and his ability to convey vulnerability within the humor. A master of the “tragicomic” genre, he used his character’s failings, frustrations and self-delusion to create a unique blend of laughter and pathos, paving the way for later comedy icons such as Alan Partridge and David Brent.

Hancock made his feature film-starring debut in The Rebel, a witty satire that takes both white-collar monotony and the pretensions of the art-world in its crosshairs. Written by his long-time collaborators Ray Galton and Alan Simpson, this was the film that Hancock hoped would break him into America. Though a big success in the UK, this sadly didn’t translate across the Atlantic and ultimately led Hancock to take the ill-advised decision to break with Galton & Simpson.

A self-taught artist with an enthusiasm that far exceeds any ability, Anthony Hancock throws in his hollow office job and moves to Paris to live his dream. Although he quickly finds acceptance among the bohemians and beatniks, legitimate critics scoff at his work. However, he begins to taste critical success when the art of his talented former roommate becomes confused with his own. 

Lucian Freud called The Rebel “the best film ever made about modern art”.